MUSEUM DESCRIPTION
Time and its passage, a concept which tends to over come and even overpower one within the context of a setting such as the present one, seems to have come to a stand still in the case of this sculpture, to which neither decay nor corrosion have deleted the fundamental features of the character depicted. Originally composed and executed from a distinctly frontal perspective and clear intention in order that countenance and facial features should become its prime focus of attention.
This work of art constitutes an exemplary instance of that deeper –and by far more elusive- artistic gift of pausing, detaining, or bringing about a hiatus, in the fabric of time itself; of savoring however briefly- the very concept of timelessness, and through it attaining a true realization of the actual act of time’s passing, though not as a process of decrease or decay, but rather as one of growth and continuance.
Anthropomorphic Sculpture
CHIMU Imperial Period 1300- 1532 AD
With out question the most though provoking, and well executed, museum in all of Peru, the Cusco Pre-Columbian Art Museum, eschews traditional analysis of primitive art as a means of assessing the technological and social achievements of a civilization. Instead it seeks to take the master works of these earlier periods on their own terms as pieces of art as worthy of consideration and reflection as any modern efforts on display. What is most shocking is the success in which this has been achieved. The above blurb accompanying a rather lifeless wood sculpture left me staring into the hollow eyes of this remote and decayed idol and on through to the vivid and wet pupils of the artist some 700 years gone. Never in my life have I felt so immediately the presence of time. Frozen between the tick and the tock, I swallowed the cold reality that I am an American tourist passing across an ancient set of eyes. Who am I to them? --A colorful frame of film, a moment, in an endless series that will no doubt persist for many hundreds of years of moments more. It’s deep stuff. Far more challenging than one would find in even the most engaging of modern art exhibits.
Ok! So the theme of the pre-Columbian art museum is that the best works of the ancient past are as -- if not more -- relevant to the modern viewer than just about anything being passed off as art today. Is this true? Who knows, but the idea is mind blowing. The secret ingredient being careful selection of pieces not as emblematic of a period’s style or technique, but as work that transcends those styles and techniques. Also ridiculously over-the-top descriptions can help.